Tim Den – Page 102 – Lollipop Magazine

Right Direction- Bury the Hatchet – Review

September 1, 2000

They’ve been doing this since ’89, but still, classic Suicidal Tendencies and D.R.I. they ain’t. You get the trademark hardcore stuff here, nothing more.

Richard Ashcroft – Alone With Everybody – Review

September 1, 2000

Runs itself into the ground by repeating gratuitously and aimlessly each song’s refrain and often childish hook, until you swear it’s Matchbox 20.

OS101 – Pura Vida – Review

September 1, 2000

Feel the way hardcore first made you feel when you were a kid (7 Seconds, Descendents, etc.). Check out “No Clue” for some sweet harmonies.

Opprobrium – Discerning Forces – Review

September 1, 2000

Picking up where they left off with ’91’s amazing Beyond the Unknown, Discerning Forces is a throwback to the early ’90s (and best era) of death metal.

Nasum – Human 2.0 – Review

September 1, 2000

Fast, shredding, full of blast beats, multi-vocal yelping/growling, squeezed through a giant garage fuzz box so that even the pubes on the album buzz.

Napalm Death – The Complete Radio One Sessions – Review

September 1, 2000

BBC DJ extraordinaire John Peel has had Napalm Death do live on-air sets for about twelve years now, and this here collection gathers every last note.

Moods for Moderns – Two Tracks Left – Review

September 1, 2000

This is sweet, sweet pop that everyone should love. Think The Figgs, Badfinger, The Beatles, Cheap Trick, Sloan, and Chisel. Beautiful songs.

Madball – Hold it Down – Review

September 1, 2000

The album I thought they’d never make: Not self-righteous, not self-glorifying, not watered-down, but the successor to Agnostic Front’s classic One Voice.

Leatherface – Horsebox – Review

September 1, 2000

Horsebox will probably be remembered as the band’s most mature and seasoned output. It has taken over Mush in the cockles of my heart. Quite an achievement.

World Warped III Live – Review

September 1, 2000

They finally made the Warped comps a documentation of the live music instead of just a collection of the artists’ already pre-existing album tracks.