Lo-fi/open-heart serenades that sound like they’re talking about you… Mortal in its form (four-track recordings?), Bright Eyes sound tragic yet relevant.
Movie Music Vol. One and Movie Music Vol. Two are “wrap-ups” or “discographies,” tracing Braid’s career with rarities, out-of-print, and unreleased material.
Movie Music Vol. One and Movie Music Vol. Two are “wrap-ups” or “discographies,” tracing Braid’s career with rarities, out-of-print, and unreleased material.
Emitting energy from every note, syllable, and beat, Lucky to be Alive succeeds by showing that Braid is not one of those “new material only” live bands.
Boy Sets Fire can’t even cover material correctly. Sounding weak and devoid of the essence that the originals held, their two Coalesce covers are laughable.
Noisecore doesn’t get any better than this. Not even Deadguy/Kiss It Goodbye stuff. Botch makes spazzing-out on record feel like a live show in your stereo.
Learning brutality and catchiness from Entombed, Blindside and Selfmindead have given the American crazy-core that Coalesce helped invent a much-needed focus.
All of the gruff, none of the annoying snarl. Plus, they’re more melodic and willing to use different styles to get that country-music-desperation across.