Pretty much La Muerte Part Two, meaning that it’s classic Gorefest: Simple but punishing riffs, varying tempos, political lyrics, and bad-ass breakdowns.
Botch almost single-handedly carved a new path for metalcore. Instead of testosterone-fueled rage, they had genuine passion and a great sense of humor.
After venturing into folktronica territory with The Tourniquet, Magnet (Norwegian producer/songwriter Even Johanssen) has returned to a rootsier, organic sound.
You either stuck by ’90s pop punk, grew out of it, or hopped on the “third generation of emo” bandwagon. All the Best Songs is clearly for the first category.
Like Harnessing Ruin’s title track, “World Agony” wrangles the EVILNESS of Immolation’s trademark ghastly riffs into a comparatively accessible song structure.
The NZ comedy duo has been doing well with their HBO show and appearances on late night TV. This is their first EP, and the medium doesn’t do them justice.
Cornell wants to remain your Rock God, but he play it safe. Carry On is precise, polished, full of radio-friendly anthems as well as a few quirky gems.
Filled with chest-puffing, fist-pounding gestures of manliness… but behold! There are interesting melodies, arrangements, and a Wild West saloon piano solo.