A reissue of the rising Taiwanese black metal band’s 2002 effort. Every bit as musically proficient, thematically grand, and lyrically poetic as Seediq Bale.
Bad Religion have been on the up and up since guitarist/backup vocalist Brett Gurewitz returned. No surprise this is another monolith of pop punk excellence.
Tori at her most flexible and multi-faceted. The sheer length of the album could be a turn off to people who don’t have the time or perseverance to harvest it.
The rich hooks and ringing guitars are still here, but now so are dance beats that bring out a whole new color, and recall OMD, The Cure, and Morrissey.
The best of their past, combined with new, forward-looking tricks to become something flawless. Fresh, nostalgic, beefy, futuristic, classic, and catchy.
Björk claimed it to be: Fun, a throwback to ’80s house/techno, and catchy. Volta really is the opposite of all those things. Björk’s worst record so far.
Before Björk, Goldfrapp, or Imogen Heap, Tracy Thorn was utilizing her soft yet no-nonsense angel croons to add life to electronica ballads and dance anthems.