The performances, placement of hooks, and vocal phrasing are all blindingly confident. The band have learned to reach beyond the meat-n-potatoes of punky pop.
Blending today’s pop sensibilities with an early ’90s rock sound, the album experiments with songs that come off as adult-contemporary or as college rock.
Guilt Show is a perfect mix of the reckless pop thrill of The Get Up Kids’ classics and the subtle shifts in tone, tempo, and style that defined On a Wire.
Full of Westerberg’s compelling vocals, ranging in style from post-punk frontman to confessional balladeer. Not the best songs he’s ever written, but they feel so right and are have his “wet basement and a four-track” feel.