This latest interpretation of the monster is an astounding cinematic feat, a combination of exquisite makeup design and the flawlessness of Robert DeNiro.
12 songs of grinding samples, massive, chugging guitars tuned low and mean, distorted roars (kinda Drown-ish) which, if I could understand, I’d yell, too.
Average guitar-driven techno fare. Not the kind of stuff that leaves a real strong impression, although the album’s lead-off sample is one of the year’s best.