Imagine if Natalie Merchant sounded as furious as Alanis Morisette, joined forces with a full-on rock band with metal roots and started singing in Italian.
At 20 minutes, the six originals and two covers display what could be one of the hottest new pop/punk bands in a genre overflowing with interchangeable bands.
Camber utilizes dissonant melodies and angular guitars to create a semi-DC sound for themselves, a move that usually puts a stake right through the emo style.
Memorable, brutal songs with elbow-swinging breakdowns ensure that both headbangers and hardcore cool-guys will love this. A well-thought out progression.
This record was written with one riff. A heavy riff, yes, but too much like Despair, Union, and all the other bands that members of Buried Alive used to be in.
Boston pop doesn’t get much sweeter than Boy Wonder. This five-song, 15 minute, self-produced EP captures the sugary magic after the dissolve of CherryDisc.
The vocals are grit ugly, kinda strangled, and aided and abetted by samples dealing with the noble herb, apparently the only thing worth living or fighting for.