The cover is gonna make you think Supersuckers. Still a bit tentative, so the level of attack isn’t quite what it should be, but the raw materials are present.
Maintaining the trippy vibes not via Iommi riff clonage, but via psychedelic rock that screams as much Captain Beefheart and Cream as it does, er, Kyuss.
Jonah Jenkins sung for Only Living Witness, Milligram, and now with Raw Radar War, he’s straight-up going for the jugular. Sludged-up, crusty hardcore.
Yemin’s “main band” since before (and now alongside) Lifetime got back together. A statement on the beauty of hardcore, and a plethora of outsider music.
One step up from boot recording, a rock and roll attack based in the classic Who, Stones, Pretty Things, ’60s Anglo-attack shot through a snot-garage attack.
Exactly what you would imagine it to be: Almost as much in-between banter as music, irreverent humor, not to mention meticulously written and executed pop punk.
Tokyo’s Grief of War barely make the grade. They sound too complacent to rub elbows with thrash metal revival bands as goods as Evile and Municipal Waste.
Battles take place across huge, beautiful battlefields three stories high, with projectiles flying, and special attacks requiring just a few button presses.