The strain is starting to show as their brand of flawlessly-played Floridian death metal grind and groove through 11 tracks that barely vary from one another.
Upbeat and poppy, like Austin Powers or ’70s David Bowie. Four out of the 13 songs are hummable enough that I find myself singing along before the song’s end.
Mournfully beautiful music that’d fit with Miles Davis’ “Kind of Blue,” John Cale’s “The Academy in Peril,” Kronos Quartet’s take on Phillip Glass’ “Company.”