Lame title, yes, but “explicit lyrics” on the parental advisory sticker have been coyly replaced with “love content,” which is as poignant as it is amusing.
It’s fantastic that she writes her own lyrics and doesn’t overdo the choruses-in-English thing, but the songs simply aren’t all that catchy or interesting.
Two of Decibully’s players were in The Promise Ring’s final line-up. Those who didn’t appreciate Wood/Water are bags of wet monkey asses and obviously deaf.
While a large makeup of The Plague’s sound is thrash metal, there’s prominent hardcore/noisecore coating their attack, and that offers up an interesting sound.
Hex Angel: (Utopia – Dystopia) is both refreshing from a compositional point of view and infuriatingly immature from a lyrical and thematic standpoint.
Speed Graphic, the first of the three self-released EPs, contains five songs that include new, old, and covers, kicking off with The Cure’s “In Between Days.”
Drifting, cinematic, shadowed beauty that’ll pull anyone who’d love a combo of the Cocteau Twins, Sade, Garbage, Portishead, Mazzy Star, and Lisa Germano…