CDs – Page 810 – Lollipop Magazine

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[ August 14, 2026 ] Soulfly Announces 2026 Fall US Tour Dates with Nailbomb and Incite – News News
[ August 13, 2026 ] Crown Magnetar 2026 Co-headline Tour with To The Grave – News News
[ August 12, 2026 ] Weedeater Announce 2026 US Fall Tour Dates – News News
[ August 11, 2026 ] Bayside Announce 2026 Fall Headline Tour Dates – News News
[ August 10, 2026 ] Cartilage Deliver Operating Altar and 2026 Tour Dates – News News
[ August 9, 2026 ] Russian Circles – Eluvial – Music Stream Bands
[ August 7, 2026 ] Alice Cooper Announces Fall 2026 Leg of “Alice’s Attic” Tour – News News
[ August 6, 2026 ] Black Flag Announces Extensive 2026 US Tour – News News
[ August 5, 2026 ] Hatebreed Announce Fatal Paradox and more 2026 Tour Dates – News News
[ August 4, 2026 ] The Well Share “New Hallelujah For The Damned” and 2026 Tour Dates – News News

Natacha Atlas – Diaspora – Review

May 1, 1997

Atlas, a bellydancer and singer for Transglobal Underground, exhibits a mixture of Dead Can Dance and The Orb on her solo album, Diaspora.

Mary Lou Lord – Martian Saints – Review

May 1, 1997

It opens with a full rock band. Instruments drop out until we’re left with simply Mary Lou singing and playing guitar. That’s when she’s at her best.

Marianne Faithfull – 20th Century Blues – Review

May 1, 1997

These songs are kinda weird, slow and old-sounding. My brother told me they were written by some guy named Curt Vile. He’s one of those death-metal guys, right?

Lummox – Natural Born Swillers – Review

May 1, 1997

Backwoods, redneck rock here to fuck shit up. Speedkills scum punk and roadhouse/outhouse shit-talkin’ jams. “New Country” should be bellowed from bar stools.

Knapsack – Day Three of My New Life – Review

May 1, 1997

Smart, enigmatic lyrics delivered with vocals both imploring and roaring, ultimately erupting into jagged explosions of roaring discord and sonic overflow.

King Black Acid and the Womb Star Orchestra – Sunlit – Review

May 1, 1997

Three songs in sixty minutes, stretching out languidly into the infinite without succumbing to Phishy-smelling jam tendencies or circumambient snoozatoria.

John Fahey – City of Refuge – Review

May 1, 1997

A quiet revolution filtered through open ears – there was classical, slide blues scrapings, and the sounds of his louder descendents made over into ambience.

Jimmy Eat World – Static Prevails – Review

May 1, 1997

Four guys from Mesa, Arizona on their way to the MTV buzz bin in a (sometimes) hard rock band with a cool name playing distorted, clingy, guitar-intense music.

In Flames – The Jester Race – Review

May 1, 1997

Gone are the snakespit vocals, replaced by Anders Fridén and his huskier snarl. The dueling guitars, battling in mid-air like bloodthirsty hawks, remain.

Hovercraft – Akathisia – Review

May 1, 1997

If those that preceded them relied on divine motionlessness, Hovercraft was all about momentum, driving onward and upward to a point that never arrives.

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