CDs – Page 895 – Lollipop Magazine

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[ March 4, 2026 ] Raven Hit the Road for 2026 Spring Tour – News News
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Swingin’ Utters – The Streets of San Francisco – Review

March 1, 1996

Swingin’ Utters are not a watered-down version of anything, and they’re not over or under-produced. They sound exactly the same as the bands in the late ’70s.

Cheer-Accident – Not A Food – Review

March 1, 1996

Thoughtfully constructed and marked by extended repetition of strange rhythms, letting them settle in and become a groove before trying to mess with them.

Supple – Puppet’s Night Out – Review

March 1, 1996

Supple really tore me up, like Pinhead in Clive Barker’s Hellraiser. Hooks shooting out of nowhere, hitting their mark and tearing at those soft spots.

Celestial Season – Solar Lovers – Review

March 1, 1996

The vocals range from the wounded beast lament of Paradise Lost to the sultry moan on Celtic Frost’s Into The Pandemonium. Two violinists add a touch of class.

Sublime – Robbin’ The Hood – Review

March 1, 1996

Sublime are upfront about the second-hand nature of their sound. Secondly, they know the one trick that Whitey can pull off properly: Hybridization.

Cadillac Tramps – Review

March 1, 1996

Combining unreleased material, live in-studio recordings, and remixes of singles from previous albums, this is a perfect wrap-up album.

Butterflies – Bored Room – Review

March 1, 1996

Tight, crunchy and to the point, the ‘flies manage to find the perfect balance between dissonance and melody.

Stranglehold – Crash & Burn – Review

March 1, 1996

Stranglehold were an important band with a place in early Boston hardcore history alongside Gang Green and the F.U.’s, who somehow got lost in the shuffle.

Bruce Dickinson – Alive From Studio C – Review

March 1, 1996

Taking material from Tattooed Millionaire (when he was still in Iron Maiden) and Balls To Picasso, Dickinson puts out a double album of live performances.

Stevie Salas – Back From The Living – Review

March 1, 1996

Some dippy ballads mixed amid guitar hero acrobatics and wild production tricks (think toned-down Gibby Haynes). Hyped as Lenny Kravitz meets Matthew Sweet.

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