CDs – Page 987 – Lollipop Magazine

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[ November 4, 2025 ] Fox Lake Release “Freestyle” Remix and 2025 Tour Dates with Greyhaven – News News
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Grip, Inc. – Power of Inner Strength – Review

March 1, 1995

While the main riff of “Hostage to Heaven” is very Slayer-oriented, it’s the perfect excuse for Dave Lombardo to unleash the speedcore beast that lies within.

Good Riddance – For God and Country – Review

March 1, 1995

While not as gravelly as Rancid’s vocals, Good Riddance vocalist Russ Rankin has a harsher, more forceful singing style than many melodic punk bands.

Clouds – Thunderhead – Review

March 1, 1995

Thunderhead journeys through everything from cotton candy power-pop to dismal, droning angst.

Insult II Injury – Point of This – Review

February 1, 1995

Once you get past thin production, you’ve got a potentially bruising band.

Twisted Sister – Live at Hammersmith – Review

February 1, 1995

Twisted Sister was one of the cheesier pop-metal bands during the ’80s. The poor sound quality makes it almost comical, like a skit from Saturday Night Live.

Today is the Day – Willpower – Review

February 1, 1995

The hooks are buried. If you want easy listening, buy one of STP’s records. If you want something that demands your attention, this CD is the shit.

Tim Mungenast – A Primer for the Nuclear Family – Review

February 1, 1995

With a little help from the Pods, Tim states his political correctness with a bland, easy-listening musical approach.

The Hairy Patt Band – Buford’s Last Pusser – Review

February 1, 1995

A lot of lo-fi noodling that sounds like countrified acoustic Ween. If only all of the songs had the humor of their cover of “Jack and Diane.”

Hinge – Accidental Meeting of the Minds – Review

February 1, 1995

Green Day speed-pop-punk guitar, vocals that sometimes sound uncannily like Billy Corgan, and the big arena rock sound of Pearl Jam.

The Action Swingers – Quit While You’re Ahead – Review

February 1, 1995

Ned Hayden = punk rock. Julia Cafritz (ex-Pussy Galore/Free Kitten), Don Fleming, J. Mascis, and Johan Kugelberg play on some of the songs.

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