Lollipop Magazine

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[ April 24, 2024 ] Powerwolf Announces 2024 North American Fall Tour Dates – News News
[ April 23, 2024 ] The Melvins Most Interesting Album to Date Arrives – News News
[ April 22, 2024 ] Lord of The Lost Announce First North American Tour Dates in Over a Decade – News News
[ April 7, 2024 ] King Buzzo and Trevor Dunn Announce 2024 Tour Dates – News News
[ April 6, 2024 ] Archspire Announce 2024 North American Tour Dates – News News
[ April 5, 2024 ] Halestorm and I Prevail Announce 2024 Tour Dates – News News
[ April 4, 2024 ] John Garcia (Ex-Kyuss) Announces North American Tour – News News
[ April 4, 2024 ] Brendan James – Hold Me Back Down – Music Stream Bands
[ April 3, 2024 ] Baroness and Red Fang Unite For First Joint US Tour – News News
[ April 2, 2024 ] Abbath Announces 2024 North American Tour Dates – News News

Soul Coughing – with Firewater at Avalon – Review

May 1, 1997

The heavy funk and upright bass got the crowd moving and sweating, while Mark’s keyboards threw everyone into a frenzied state.

Firewater – with Soul Coughing at Avalon – Review

May 1, 1997

Tod A immediately launched into “Bourbon and Division,” a dark cha cha (no, really) which pulsed and throbbed under the hands of this wedding band gone bad.

Incus – at Ceremony – Review

May 1, 1997

With three drummers, Incus is totally about rhythm. The crowd begins moving. Banging on the sculpture, Neubauten clangs chase each other though the club.

Splashdown – at The Middle East – Review

April 1, 1997

Kaplan’s vocal lines captivate the audience as the crowd sways trying desperately to dance in the over-crowded stage front area.

Swans – with Low at the Somerville Theatre – Review

April 1, 1997

Swans music descends like a black cloud and comes down in torrents. This isn’t music you listen to, you surrender to it.

The Jesus Lizard – at The Middle East – Review

April 1, 1997

David Yow is a pillar among purveyors of destruction and bad taste, and the Jesus Lizard rumbles and squeals like the hot water boiler just before it blows.

Low – with Swans at the Somerville Theatre – Review

April 1, 1997

The Roman Empire could rise and fall between notes, and the songs are couched in a placid, glacial atmosphere. If sleep produced an actual sound, it’d be this.

SNFU – at The Middle East – Review

February 1, 1997

So there I stood, uninvolved, as I watched SNFU go through the motions of retching up a sorry-Johnny-one-note performance. I don’t like them in a club either.

Mighty Mighty BossTones – Mighty Mighty Throwdown Live – Review

February 1, 1997

They energized the Boston scene with five nights of ska, punk and rock music at five sold out clubs all across the city.

Cake – at the Orpheum – Review

December 1, 1996

Cake hop from the rockabilly stylings of “Stickshifts and Safetybelts” to the more driving rhythms/almost hip hop stylings of their hit, “The Distance.”

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