Lollipop Magazine

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[ May 6, 2024 ] Profantica Announces 2024 Spring US Headlining Tour Dates – News News
[ May 4, 2024 ] The Dollyrots Get Set For a West Coast Tour in June – News News
[ May 3, 2024 ] Hatebreed Announces Fall 2024 30th Anniversary Tour – News News
[ May 2, 2024 ] Buckcherry Celebrate their Self-titled Debut’s 25th Anniversary – News News
[ May 1, 2024 ] The Dead Daisies Announce US Dates, New Album and Drummer – News News
[ April 30, 2024 ] Bewitcher Unveils “Our Lady of Speed” and Tour Dates with UADA – News News
[ April 29, 2024 ] Dashboard Confessional Announces 2024 Fall Tour Dates – News News
[ April 28, 2024 ] Lords of Acid Announce Make Acid Great Again Tour – News News
[ April 27, 2024 ] Something Corporate Announces Out Of Office Tour Dates – News News
[ April 26, 2024 ] As I Lay Dying Announce 2024 US Summer Tour – News News

Stompbox – with Five Seconds Expired, Otis, Jocobono at the Rat – Review

September 1, 1996

You’d barely know the band members hate each other as they whipped the crowd into a frenzy. Some folks openly enjoying the show, quite a rarity ’round here.

Ten O’Clock Scholar – with Omatic at The Middle East Cafe – Review

September 1, 1996

Ten O’Clock Scholar took the stage around midnight. It was hot. It was Monday. It was no time to be at a rock show.

The Moors – with One Of Us, Holy Cow at The Middle East Cafe – Review

September 1, 1996

The Moors started things with a gentle sound, quiet hymns and chants in ancient languages, guitars entwining with delay and chorus. Always the chorus.

Greetings from Planet Girl – at the Charlestown Working Theatre – Review

September 1, 1996

The raucous and randy conclusion, “Bite This,” was a chorus-line set to Calypso music, with costumes graphically depicting the “devouring woman” archetype.

Sex Pistols – with Gravity Kills at Great Woods – Review

September 1, 1996

They may be old has-beens, they may have only done it for the money, but it’s those guys playing those songs, every one a classic and not a speck of filler.

One Of Us – with Holy Cow, The Moors at The Middle East Cafe – Review

September 1, 1996

Signature bass drum rack booming, bass pumping, and John’s deep voice coming through strong and bold. He was as charismatic as ever, drawing all eyes to him.

Omatic – with Ten O’Clock Scholar at The Middle East Cafe – Review

September 1, 1996

Straight-forward, great sound, no songs longer that a minute and a half, and stick-it-in-your-ear-and-jam-it-crunchy layered guitars.

Dead Can Dance – at Harborlights – Review

September 1, 1996

They had a wonderful mix of old and new material, and always the percussion. Five drummers across the stage, mixing a stew of rhythm.

Unwound – at the Rat – Review

August 1, 1996

A lighter Pitchshifter crossed with a less junky Front 242. They are pure, taking the typical industrial sound and banging it out of contortion.

The Toasters – with Spring Heeled Jack, The Hi Hats at Mama Kin – Review

August 1, 1996

New singer, Jack Ruby, was less dancehall-style than his predecessor, Coolie Ranx, and easily filled the void with his deep, baritone voice and stage charisma.

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