You see the band creating, thinking real hard, in the studio, emulating the old ways, which, unfortunately for the band’s health, included recording in a “classic prog” studio, a process which almost killed the band.
Lots of drunken revelry is placed against the band taking their mission very seriously indeed, through sincere, well-meaning interview footage documenting everything from the band’s origins to their creative process.
Though it takes nothing away from the majesty of the band’s finest rock, the videos are every bit as bad as I remember. Also included are six rare performances recorded for BBC television, 1975-1980.
An ode to “low” culture, with splatter flicks, cheesy ’80s references, and appearances by such luminaries as Bam Margera and mega-low budget video queen Misty Mundae.
Rather than write anything new, the band work methodically to add to a billowing cloud shaped and sharped like barbed wire tumbleweed rolling over squishy English duskscapes.
Grip Inc. roars like a warhorse mismatched from three warhorses, the band fit together to make a unique cross between Slayer, Anglo hooligan hardcore, and Egyptian melodies.
Danny has written most of the record, but Anathema have turned in a fairly single-mooded, periodically guitary record, one that is equal parts Radiohead, Porcupine Tree, and late ’90s Anathema.
Offering everything you’d want out of a live album, Hammerfall make this thing look and sound like Live After Death. The set is spirited throughout, one show in the band’s hometown of Gothenburg, Sweden.
Virginia’s Crestfallen surges with a ferocious appetite on this five-song EP. A vibrant mixture of grind/noisecore/metal and punk, the EP sees the band delivering a very “live” vibe.