Japan’s Envy have etched out a multitude of musical creations over many years, pushing forward an interesting collection of sounds, styles, and emotions, but it will be this, their fourth album, to generate the biggest buzz.
New Hampshire’s Deadwater Drowning doesn’t hold back on this five-song EP. It’s straight to business, and I like it. A technical death metal edge, hardcore drive, and grindcore intensity.
Easily one of the most violent live acts I’ve ever seen. And the music is equally as powerful. Bare as Bones is a collection of rarities from 7″s, compilations, demos, and EPs that’ve long been out of print.
This collaboration between Nevermore drummer Van Williams and his buddy from back in New York, Christ Eichhorn, is a fully-fleshed, highly-technical, expertly-crafted batch of avant-garde metal wonder tracks.
A combination of pounding, proggish but pedestrian power metal, fronted by a mid-operatic female vocalist, landed somewhere between the Goth metal world, old Gathering, low Nightwish, and Lullacry.
A combination of Motörhead, Entombed, and soundtrack music would be the best way to describe this, smacked upside the head with doses of progressive thrash and Italian doom.