While this self-titled release is a coaster, perhaps with a lot of work on taking their songs the distance, they might be able to open for someone good.
Jello’s points sometimes risk getting lost amongst the slam-racket. Refer to the shocking, revelatory, and hilarious newsprint collage in the lyric booklet.
Nice throaty growling, some even-tempoed riffing, a few melodic transitions to break up the monotony, but with weak drum production and overall muddy sound.
Combining ’90’s self-titled EP and ’91’s, Who’s Laughing Now, this re-issue shows three members of Korn in their early, funky metal, solo-happy stages.