Punk/Power Pop Review – Page 118

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[ July 27, 2026 ] Heathen cover Iron Maiden’s “The Prisoner” and 2026 Tour Dates – News News
[ July 26, 2026 ] Muto Tapes – 9 to 5 – Music Stream Bands
[ July 19, 2026 ] Weezer – We Might as Well Be Strangers (ft. Wednesday) – Music Stream Bands
[ July 18, 2026 ] Whitechapel Announces Special 20th Anniversary Headlining 2026 Tour – News News
[ July 16, 2026 ] Wage War Announce Fall 2026 US Headline Tour with We Came As Romans – News News
[ July 15, 2026 ] Agnostic Front Announce 2026 Fall Co-headlining Tour Dates with Angel Du$t – News News
[ July 14, 2026 ] The Black Queen Announce New Round of Fever Daydream 10th Anniversary Shows – News News
[ July 13, 2026 ] The Rasmus Announce First North American Headline Tour for Fall 2026 – News News
[ July 12, 2026 ] Modest Mouse – An Eraser and a Maze – Review Bands
[ July 10, 2026 ] Motionless In White Announce Fall Leg of 2026 Tour – News News

Dillinger Four – Midwestern Songs of the Americas – Review

November 1, 1998

From Minneapolis, play some of the noisiest melodic punk this side of somewhere, with scratchy soundbite intros, and yelling-through-a-bullhorn vocals.

Digger – The Promise of an Uncertain Future – Review

November 1, 1998

Blenda rock and punk, a kinda Goo Goo Dolls lead vocal (but less enunciated), a lot of group choruses, and a surprising amount of leads wandering throughout.

D.O.A – Festival of Atheists – Review

November 1, 1998

The years and beers have whittled DOA down to the point of self-parody, punk rock senility, whatever ya wanna call it.

Consumed – Breakfast at Pappa’s – Review

November 1, 1998

Fat signed these guys before they even had a single out. Nottinghamshire, England’s Consumed’s debut.

Chixdiggit! – Born On The First Of July – Review

November 1, 1998

It’s got all the things that make people feel good, the things that made people dig their first album. It’s easily accessible but not simplistic.

Bikini Kill – The Singles – Review

November 1, 1998

Like Fugazi, Bikini Kill has generated plenty of attention from corporate pimps, but passed it over so they could continue releasing raw, uncompromising punk.

Bickley – Pogo Au Go-Go – Review

November 1, 1998

Bickley is a manic, group-shouting, junk rock band ranting about TV, teen porn stars, beer, peeing, and butt-sniffin’ clowns.

Armchair Martian – Monsters Always Scream – Review

November 1, 1998

They’re more rock (and that countrified thing kinda throws me) than the punkpop being churned out like so much shit from an industry chowing Ex-Lax.

Apocalypse Hoboken – House of the Rising Son of a Bitch – Review

November 1, 1998

Arty post-punk with hints of hard rock chord progression and funkcore or something probably comes closest, mostly ’cause it means nothing.

Red Aunts – Ghetto Blaster – Review

September 1, 1998

Punk-as-shit avant noise bound to rejuvenate the chaotic creativity long bled from rock, or a whipped-off gem by musicians too whacked for their own good?

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