Reviews – Page 1040 – Lollipop Magazine

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[ July 29, 2026 ] Hypocrisy add Headline Dates to 2026 Tour with Dimmu Borgir – News News
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[ July 14, 2026 ] The Black Queen Announce New Round of Fever Daydream 10th Anniversary Shows – News News
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Fade – with Fracture, One of Us, You Shriek at the Middle East Cafe – Review

February 1, 1996

The singer was a slim boy, with black hair and an absolutely gorgeous face. He sang like a young Robert Smith. The music was fluid, graceful, and moving.

EBN – with Banco De Gaia at Mama Kin – Review

February 1, 1996

EBN’s brand of multimedia assault – combining video, audio, and all around spectacle – is far too much for the un-turned-on mind to assimilate all at once.

Die Krupps – with Sister Machine Gun at Axis – Review

February 1, 1996

He had a penchant for doing “the stadium intro” (where he yells the name of the upcoming song hoping for applause of recognition) but nobody got into it.

Cubanate – with Ultraviolence, Zia at The Rat – Review

February 1, 1996

Vocalist Marc Heal is similar to a psycho queen techno-Lemmy with a frog in his throat. That’s good, by the way.

Bob Dylan – with Patti Smith at the Orpheum – Review

February 1, 1996

Dylan is not a great performer. May I be struck with hundreds of voodoo pins, but Dylan has not progressed. He can write a good lyric, but that’s about it.

Banco De Gaia – with EBN at Mama Kin – Review

February 1, 1996

The lights lowered and a man crouched behind his mixing board and computers and cued the intro for Last Train to Lhasa. That’s when all hell broke loose.

Compulsion – “How Do I Breathe” – Review

December 1, 1995

Thick and melodic in a faux lumberjack kinda way. Guitar rock in between the fluf/Overwhelming Colorfast sensitive bigboy camp and Jesus Lizard.

Cock Sparrer – Run Away – Review

December 1, 1995

An exhaustive retrospective would be more in order than an EP designed for Cock Sparrer completists only.

Christian Death – Amen – Review

December 1, 1995

Christian Death just isn’t the same without Rozz Williams or Gitane Demone. But Amen isn’t all bad. A double live CD with extremely good recording quality.

Chris Haskett – Language – Review

December 1, 1995

Super-artsy, deft guitar playing with random sound bites and occasional cello and viola, released by Henry Rollins’ label.

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