Reviews – Page 1053 – Lollipop Magazine

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Tremont Brewery Music Festival – Review

November 1, 1995

Tremont Brewery threw a party to introduce their new ESB. They had three types of beer available; the new ESB, an IPA, and, of course, their Ale.

The Ugly Truth – Fall – Review

November 1, 1995

There’s nothing that sets The Ugly Truth apart from the current batch of punksters serenading Epitaph Records, but at least they do it semi-right.

Dismember – Massive Killing Capacity – Review

November 1, 1995

Dismember play with precision, aggression, and razor sharp riffs. The producer of Wolverine Blues has produced Massive Killing Capacity, and boy does it show.

The Showcase Showdown – Merry Christmas – Review

November 1, 1995

Spastic punk that sounds like the good ol’ days. Usual cartoon criticism of world leaders set to a Christmas theme, and a new take on “I like ’em cold.”

Deathline International – Zarathoustra – Review

November 1, 1995

Zarathoustra is an electro-industrial outpouring that can buzzsaw your brain casing at one point, and simply be redundant and silly at others.

The Scofflaws – Ska in Hi-Fi – Review

November 1, 1995

A finely crafted ska record with deep roots and lots of solos. Mostly instrumental and mid-tempos. Always smartly dressed and self assured.

Cathedral – The Carnival Bizarre – Review

November 1, 1995

I seem to recall liking their first album, but The Carnival Bizarre is just gloomy post-Sabbath cheese with a metal growler.

The Mr. T. Experience – “Sex Offender” – Review

November 1, 1995

They’re meant to appeal to a cynical, twenty-to-thirty-something audience. Their sense of sarcasm never fails to give me a laugh.

Cable – Cable/Malcolm’s Lost – Review

November 1, 1995

A lot of heaviness comes through the limited production of the two Cable songs. With access to better sound, they could be extremely heavy and screamy.

The Gathering – Mandylion – Review

November 1, 1995

Tastefully roaring guitars lay a foundation, which the subtle keyboards landscape, and upon which Anneke van Giersbergen dances and sings like a pagan goddess.

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