Reviews – Page 107 – Lollipop Magazine

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The Evil Queens – Lovesong Werewolves – Review

November 1, 2008

Most did time in Our Flesh Party, who started out alt.funky.rock and whittled it into a ball of wire, backbone, and meat like Fugazi, Quicksand, and Barkmarket.

The Pink Spiders – Sweat It Out – Review

November 1, 2008

Catchy as a cold, and surely the fave of teenage girls from coast to coast. Loved by the shitty mainstream and still enjoyed by the snobbish underground.

Die So Fluid – Not Everybody Gets A Happy Ending – Review

November 1, 2008

Singer/bassist Grog has a powerful voice, and while she’s no Linda Perry (Four Non-Blondes and solo, Google that shit, kids), she could kick Pink’s ass.

The Action Design – Never Say – Review

November 1, 2008

Ex-Tsunami Bomb singer Emily Whitehurst and bassist Matt Mckenzie. Bio sez “edgy, yet clean and sophisticated, indie rock well-suited for any dance party.”

Ruby Bullet – Nothing Left To Bleed On – Review

November 1, 2008

To compare Ruby Bullet to a proggy version of Goth poppers Evanescence is just too easy, so I have faith that that’s exactly what 90 percent of reviewers said.

Deadly Sins – Selling Our Weaknesses – Review

November 1, 2008

Stephanie Dougherty did some vocals for Dropkick Murphys, Billy Brown sang/guitar for Crash and Burn. If that doesn’t perk your ears, check your pulse.

Rasputina – Oh Perilous World – Review

November 1, 2008

Chamber music, cellos played by women in corsets, wildly-warbling female vocals, and dark and creepy lyrics that’d make Cannibal Corpse cower.

Temujin – 1000 Tears – Review

November 1, 2008

Dark and plodding Goth metal band from Australia, a re-issue of their self-released debut, I believe. A two-piece.

Simon Spire – All or Nothing – Review

November 1, 2008

It’s not often that I get to compare a band to Squeeze, but New Zealand balladeer Simon Spire deserves it.

Los Difuntos – Born And Raised In East L.A. – Review

November 1, 2008

Rock and roll rooted in the Western feel and melancholy. Mexican guitar tradition tangling Spanish classicism through native cultures and death’s head imagery.

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