Bonz has been replaced by Lord Nelson, and beneath the new guy’s old school rapping, you get Rich’s soul-replenishing croon and his huge, grinding riffs.
Describing Stolen Babies as “prog-pop-cabaret-thrash-quirky-Goth-rock” provides enough space to add mambo and cha-cha-cha and still have plenty of legroom.
A showcase of the 360’s power, it’s a staggering example of things to come, and as a blast-and-go action game, it has the instant appeal of a subzero Contra.
Gus G. is only in his mid-20s, but with all the extreme metal around, his take on power metal is stacked with chords of an In Flames or Finnish metal nature.
No direct interview questions, we see the subjects talking about each other and reacting to situations. Like gossip, we’re never given access to the source.
One of Swedish death metal’s founding fathers, but they’ve never had their live show properly documented. Grave sound more menacing and crushing here than ever.