Reviews – Page 191 – Lollipop Magazine

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The Peasants – Love Your Enemy – Review

September 29, 2006

Part noisy college rock (when “alternative rock” was still ROCK), part punky rock, gonzo solos, and “I need a goddamn job!” hollers over Sex Pistols swagger.

Ignite – Our Darkest Days – Review

September 29, 2006

Ignite has hardcore and punk credibility, but also have the ability to write very catchy and commercial-sounding songs.

Park – Building A Better _______ – Review

September 29, 2006

They simplified everything. Stripping away the layers makes for a very straightforward CD, but one that still has a lot of catchy hooks and melodies.

Richard Dorfmeister Vs Madrid De Los Austrias – Grand Slam – Review

September 29, 2006

With dub master/deep groover Richard Dorfmeister teaming up with the Latin seduction of Madrid De Los Austrias, how could it go so wrong? In a word: Disco.

Brian Posehn – Live in: Nerd Rage – Review

September 26, 2006

The mainstream might know him as “that awkward guy on Mr. Show and Just Shoot Me,” comedy buffs and metalheads know Brian Posehn as the thrash-addicted giant.

Bullets and Octane – In The Mouth of The Young – Review

September 22, 2006

A neo-glam band who sport eyeliner and tattoos, use the word punk to mean fast, and you’ll dig it, but always be a little suspicious of how honest it is.

Adam Rich – You Can’t Escape Life – Review

September 22, 2006

Adam Rich isn’t a guitar whiz, but he can sing with the guitar about as well as he can with his voice, which ain’t bad. The best tune is the dusty “Vulture.”

The Shocker – Up Your Ass Tray – Review

September 22, 2006

Jennifer Finch from L7’s new group. It’s a blast of punk and new wave flavored rock with gritty vocals and ridiculous, over the top lyrics.

A Change of Pace – Prepare The Masses – Review

September 22, 2006

Ditching the screaming and intense styles of their debut, going more melodic pop punk. Some of the songs are catchy and radio-friendly, about half are good.

Genghis Tron – Dead Mountain Mouth – Review

September 22, 2006

A substantial portion of the electronic beats has been replaced by more grind, and a touch of electrified doom. The guitars sound more assured and comfortable.

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