Reviews – Page 228 – Lollipop Magazine

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Deadboy and the Elephantmen – We Are Night Sky – Review

March 3, 2006

The fatalistic beauty seems more urgent. Dax’s vocals and guitar (both often distorted) and Tessie Brunet’s feral drumming and lovely harmony vocals are here.

Bracket – Requiem – Review

March 3, 2006

Requiem is a dizzying display of melodic counterpoints and bittersweet hooks dressed up in beefy guitars. Filling the gap left by Jellyfish and Face To Face.

The Shapes – Review

March 1, 2006

A few songs here are great. I don’t giddy over male/female indie rock, but infectious songs, cute and fun without being sticky-sweet are gems you dig for.

The Blue Bloods – Death Of A Salesman – Review

March 1, 2006

Fuck yeah! A punk band from Boston, part Slapshot, Social D, Dropkicks, and all anthemic street punk whoa-oh.

Noah’s Apathy – Something To Divide – Review

March 1, 2006

Blend favorite flavors with shit. Imagine “this is one of my favorites” followed by biting into tinfoil. Or enjoying a $5 milkshake and suddenly tasting piss.

Halifax – The Inevitability Of A Strange World – Review

March 1, 2006

I don’t remember Halifax being so “Kickstart My Heart,” but the “Hell… Yeah…” is so close, I keep waiting for them to launch into the Crüe’s chorus.

Below the Sound – Three – Review

March 1, 2006

Kinda like Rollins Band, if Rollins fronted an AmRep band. Unsane with an increased appreciation for subtlety and melody. A nimbler Helmet ,with tighter focus.

Anders Manga – Left of an All Time Low – Review

March 1, 2006

Dark electronic, part dancefloor stomp, part mellow, rich croon. I gravitate toward synthpop (the dark side is presented here), so Anders Manga suits me fine.

Darkest Hour – Undoing Ruin – Review

February 24, 2006

One of the better American bands stealing the oft-stolen Swedish melodic death metal style. They’ve been doing it for years, perhaps even a decade.

Cash Mattock – Sexy 21st Century Sleaze – Review

February 24, 2006

Opens with two Nine Inch Nails-inspired organic/electronic instrumentations. Then, the acoustic “A Girl Like You” crosses into Violent Femmes territory.

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