Like her debut, Gourmandises, all of the songs on this sophomore effort were written and produced by Mylène Farmer and longtime collaborator, Laurent Boutonnat.
Better than previous attempts at bottling X-Men magic, Wolverine’s Revenge has style and nice features, but it’s dragged down by a terrible fighting system.
Short and poorly-executed. Its apex is a poor imitation of Alien vs. Predator, its worst resembles Battlefield Earth in a foreign language without subtitles.
One of the most expensive games produced, Sony billed The Getaway as the first complete movie-game experience. It has great technology (for a PS2 game).
It doesn’t take a rocket scientist to figure out that this is essentially Austin Powers for the Blaxploitation crowd. It’s better than that Mike Meyers trilogy.
Leave it to Chase of Supercult to videotape his model shoots, interview them, then set the whole thing to cool, hip music, and toss in a short movie that rules.
There is a plot, theoretically. There are also lots of excuses for ridiculously spectacular car chases, karate fights, and explosions. Lots of explosions.