Reviews – Page 491 – Lollipop Magazine

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Sweep The Leg Johnny – Going Down Swingin’ – Review

September 9, 2002

If you’re looking for a Flying Luttenbackers assault, this disc is more restrained and musical in a Chicago post-punk to post-rock to post-jazz way.

Tiamat – Judas Christ – Review

September 9, 2002

These Gothic rockers have evolved from plodding black metal (Celtic Frost, not Emperor) to Goth metal with Pink Floyd tendencies to full-on Goth cock rock.

Slackjaw – Darkest Hour – Review

September 9, 2002

Slackjaw is (supposedly) one of the most admired indie rock bands from the Pacific Northwest, and Darkest Hour proves why.

Satanic Surfers – Fragments and Fractions – Review

September 9, 2002

One of Sweden’s skate-punk institutions. They’ve traded their classic “melodic hardcore” metal-isms for a cleaner, thinner guitar sound. A good idea.

Plus/Minus – +/- – Self-Titled Long-Playing Debut Album – Review

September 9, 2002

Versus guitarist James Baluyut’s “solo project”: A bedroom recording with fuzzy breakbeats and dizzying falsettos, chamber pop melodies and vocal harmonies.

The Detachment Kit – They Raging. Quiet Army – Review

September 9, 2002

The Pixies have been reincarnated as four art school kids from Chicago. Who would’ve guessed they’d come back louder, wilder, and more pissed than ever?

Death Cab for Cutie – The Stability EP – Review

September 9, 2002

Magnificent lucid-pop band plays it really quiet… walking away with a Björk cover and two stretched-out-like-taffy minimalist shoegazers.

All That Remains – Behind Silence and Solitude – Review

September 9, 2002

You can’t listen to this and not think of Amon Amarth or In Flames. Thematically, they’re lost in thought, questioning faith, and willing themselves on.

Conduction – Review

September 9, 2002

Warm, uplifting, somber, intimate, sincere, well-crafted, not to mention just plain beautiful. Conduction write the songs that make us all sing.

Lock Up – Hate Breeds Suffering – Review

September 9, 2002

What started out as a refreshing throw-back to the good ol’ glory days of grindcore has grown into a half-assed sophomore album.

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