Reviews – Page 541 – Lollipop Magazine

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Armored Saint – Nod to the Old School – Review

February 22, 2002

Some even older than what I had, revamps of material I liked dirty (but these are cool too), and will provide even diehards with between-the-cracks stuff.

Masters Of Reality – Welcome to the Western Lodge – Review

February 22, 2002

Ace producer Chris Goss (Kyuss, QOTSA, Fatso Johnson, Stone Temple Pilots) shows his lighter, psychedelically-inflected space-folk side. It’s great.

Marduk – La Grande Danse Macabre – Review

February 22, 2002

Marduk aren’t Satyricon or Mayhem and don’t aspire to be pioneers in the field, but that’s what I love about ’em, they’re AC/DC for true lovers of Lucifer.

Manic Hispanic – The Recline of Mexican Civilization – Review

February 22, 2002

This time out, along with the punk classics adapted to Mex culture, there’re a couple tips of the bandanna to the new breed.

Mad Daddys – The Age of Asparagus – Review

February 22, 2002

Four weird-lookin’ guys from Jersey who traffic in Lux’n’Ivy’s good ideas without embarassin’ themselves, which is a hard trick to pull off.

Knoxville Girls – In a Paper Suit – Review

February 22, 2002

Knoxville Girls are kind of a supergroup, tho’ only if yer familiar with The Chrome Cranks, The Gun Club, Pussy Galore, and Boss Hog.

Judas Priest – British Steel – Review

February 22, 2002

I recall the instant plug-me-in magic of British Steel, and the inevitable ascendance of the band (like watching Metallica blow up with Masters of Puppets).

Joan Of Arc – How Can Any Thing So Little Be Any More? – Review

February 22, 2002

Eight “songs” pulled from The Gap sessions. As with the album, you either think Joan Of Arc had become a complete mess by their end, or pure abstract geniuses.

Solefald – Pills Against the Ageless Ills – Review

February 22, 2002

Three varied albums for this creatively exploded Norwegian duo. An album less phreaked than Neonism, slicker, classier, more majestically modern black.

King Brothers – Review

February 22, 2002

First thing ya notice is this record’s really loud, like louder than everything in the CD changer, loud like their buddies’n’countrymen Guitar Wolf is loud.

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