Reviews – Page 566 – Lollipop Magazine

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Fenix*TX – Lechuza – Review

February 22, 2002

Blink-182 knock-offs that haven’t developed into much of anything on their own, not that the record-buying public seems to notice or care.

Fear Factory – Digimortal – Review

February 22, 2002

I have to give the lugheads credit: I can’t trace “that eerie baritone vocal style” black metal adopted back any further than mid-’90s Fear Factory.

Faster Pussycat – Between the Valley of the Ultra Pussy – Review

February 22, 2002

Wow, this is awful… I’m reminded of the advice that if a child is acting out, you should ignore him so as not to encourage him.

Fantômas – The Director’s Cut – Review

February 22, 2002

For all the “chaos,” they’re pretty predictable. They play soft, you know it’s gonna shift to thrash. They play loud, you know they’re gonna shift into jazz.

Fall Silent – Six years in the Desert – Review

February 22, 2002

A six-headed beast with two bass players and a few blastbeats short of powerviolence, Reno, Nevada’s Fall Silent sure is scary sounding.

Sparechange – Fifty-Thousand Moments – Review

February 22, 2002

From more of an indie rock/power pop background than a punk background, this five-song EP packs the punch of the first time you heard the Goo Goo Dolls.

Sons Of Otis – Songs for Worship – Review

February 22, 2002

The music began to fade as the screech gradually got louder and louder. I panicked and tried to run, but it was pointless. I couldn’t even move.

Eyehategod – 10 Years of Abuse (and Still Broke) – Review

February 22, 2002

Hate sludge brimming with feedback, peaked drum mics, and an occasional Sabbathy riff amidst the seemingly randomly-selected chords pounded mercilessly.

Snuff – Blue Gravy: Phase 9 – Review

February 22, 2002

Snuff’s got the earnest-man-crying-lead-tears kind of singing, backed by the occasional Hammond organ and trumpet. It’s touching but rowdy.

Ex Models – Other Mathematics – Review

February 22, 2002

Od Gang of Four outtakes, leaving the underlying structures mangled & warped & then the love child of Iggy Pop and Pere Ubu’s Dave Thomas to sing over it.

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