Posthumously published diaries document the period between August 1991 and February 1993, Bukowski’s voice leading a screaming charge from beyond the grave.
Borrowing Rimbaud’s anvil of hope, he crowns The Uglies with the cap of Revolution, then turns on his heels, cool-style, and marches back up the Glory Hill.
As he had done previously with Blues for Bird, his biography of Charlie Parker, Gray presents Modigliani’s life in the narrative style of an epic poem.
It’s the mark of a truly seminal artist that, even thirty years after his death, you discover something new with every new vault-scraping from the archives.
Trashcan drums and cheese sound effects and old movie samples interspersed with hardcore guitar noise side by side with acoustics bangin’ Dylan-like riffs.