Reference points I might use: He compares Bush and Cheney to the Dukes of Hazzard in their ability to escape impossible predicaments with improbable ease.
It was a good idea the first time, and it’s a good idea now, although four discs worth of ’70s covers does seem to be pushing things to the saturation point.
The four tracks veer from black metal screeching to dreamy Isis/Pelican-style post-rockery to downtuned stoner thudding, sometimes in just a few minutes.
A lot of its 79 minutes discuss Last Exit to Brooklyn. His fourth novel, Requiem for a Dream, is almost as well-known, thanks to Darren Aronofsky’s 2000 film.
A spin-off of Cave In. Sick in the same way as the early, super-distorted Hellacopters records and Life of Crime/You Can’t Pray a Lie-era Laughing Hyenas.
Mike Scheidt of YOB. The songs are long and ever-changing, Mike sings through the chorus pedal, and crushing guitar riffs abound at nearly every moment.
Hibernaculum, which could also be regarded as a companion piece to Hex, reimagines three earlier Earth pieces in the Hex style, and the results are compelling.