Lollipop Magazine

cEvin Key – Music for Cats – Interview

September 1, 1998

An interview with cEvin Key

Sheep on Drugs – Never Mind the Methadone – Review

April 1, 1998

If you’re into long grooves and remixes, by all means, get this – there’s some good quality stuff here, I’m just not too into it.

Big Electric Cat – Eyelash – Review

April 1, 1998

I understand they were trying to sound like Joy Division would if they were still around.

Alien Faktor – Arterial Spray… and Cattle Mutilations – Review

April 1, 1998

More mainstream than any of the other bands I’ve heard on the label, the electro these guys record isn’t for dancing, it’s for being pissed off at the world.

Acumen Nation – More Human Heart – Review

April 1, 1998

In addition to the traditional rip-snortin’ industrial juggernauts that are their standard fare, are songs with (gasp) real drums that aren’t even industrial.

Front Line Assembly – Flavour of the Weak – Review

April 1, 1998

I believe in my heart of hearts that the last couple of FLA albums did poorly because they sucked.

Mainesthai – Out to Lunch – Review

April 1, 1998

Mentallo And The Fixer record under a different name with a friend of theirs singing. The sound of the band was to be harsh but more “melodic” and “human.”

Collide – Distort – Review

April 1, 1998

Collide’s remixes do nothing to improve on the songs’ original recordings. At least can recognize the songs on this one.

Peace, Love & Pitbulls – 3 – Review

November 1, 1997

PL&P are the musical equivalent of under-achieving students – they have so much potential, but they just don’t apply themselves.

Foetus Symphony Orchestra – York – Review

September 1, 1997

The songs build from narratives at the beginning of each movement (narrator Lydia Lunch) into crashing climaxes that just set off another movement.