Lollipop Magazine

Die Krupps side project Die Robo Sapiens Launch Robo Sapien Race – News

September 30, 2022

A blend of powerful synth music with harder, angrier EBM assaults made of fat and ripping basslines, powerful German vocals, and upbeat synth sequences.

Front Line Assembly announce North American Tour, Die Krupps and Cyanotic to support – News

March 30, 2011

Front Line Assembly (FLA) are gearing up for a national tour to promote their critically-hailed new album IMPROVISED. ELECTRONIC. DEVICE.

Die Krupps – Als Wären wir für immer – Review

December 29, 2010

Eight tracks paint a robust and varied portrait of the band’s sound: “Beyond” snuggling with Depeche Mode while “Die Macht” does a Rammstein’s boot-stomp.

Gothic Industrial Madness – Review

April 19, 2002

This three-hour, 40-song DVD video collection compiles the VHS collections Industrial Revolution 1 and 2 and Gothic Industrial Alternative Visuals.

The Blackest Album – An Industrial Tribute to Metallica – Review

April 1, 1999

A few really cool covers here, mixed with versions that make me want to shut this off and dig out the originals.

Covered In Black: An Industrial Tribute to AC/DC – Review

February 1, 1997

Cleopatra’s latest excursion is Covered In Black. It features industrial bands that have somehow missed AC/DC’s tried and true formula.

Die Krupps – Odyssey of the Mind – Review

June 1, 1996

The album is a heavy, growling, electrified, guitar-crunch fest. And Jurgen Engler’s got a great voice.

Sister Machine Gun – with Die Krupps at Axis – Review

February 1, 1996

With a track on the Mortal Kombat soundtrack, Sister Machine Gun is a powerful live band. “Burn,” the single, is industrial with a trip hop vibe.

Die Krupps – with Sister Machine Gun at Axis – Review

February 1, 1996

He had a penchant for doing “the stadium intro” (where he yells the name of the upcoming song hoping for applause of recognition) but nobody got into it.

Die Krupps – Rings of Steel – Review

June 1, 1995

Maybe Die Krupps’ vision is still pertinent in 1995 because some of the tracks have the magic. Most don’t ,and should have been admired as stepping stones.