Energy Records | Lollipop Magazine

Heavy Water Factory – Remixes of Pain – Review

April 1, 1998

I have no basis for not liking these remixes other than they’re boring. Everyone says they’re creating electronic music with organic sound. Most fail.

Hanzel Und Gretyl – Transmissions from Uranus – Interview

October 1, 1997

An interview with Vas Kallas and Kaizer Von Loopy

Bile – Biledegradeable – Review

June 1, 1997

Mutha Krysztoff did his usual brilliant work in the studio, but with Father Slave barely involved, Bile is missing half the chromosomes for a decent disc.

Sunshine Blind – Liquid – Review

May 1, 1997

“Neon” is a perfect dark rock anthem, and yet it’s a refrain original enough and backed by enough power to keep it far from the realm of Gothic cliches.

Speedball – Drive Like Hell – Review

February 1, 1997

Grimy, gritty, and pumped up to let it rip on the drag strip, Speedball play a brand of rock not often heard these days.

Bile – Teknowhore – Review

May 1, 1996

As with Suck Pump, this latest industrial, effect-laden release courses through the veins like adrenaline sprinkled liberally with slivers of glass.

Hanzel und Gretyl – Ausgeflippt – Review

October 1, 1995

French, German, Greek, Rumanian and English blended in my head, filling it with wondrous thoughts and alien landscapes.

Speedball – Do Unto Others, Then Split – Review

July 1, 1995

Big engines, loud guitars, and lots of beer. These guys have the natural charisma and high-octane sound to be rock stars.

Speedball – Do Unto Others, Then Split – Review

May 1, 1995

A balls-out blast from the rock ‘n’ roll past. Elements of The Wildhearts with Stone Temple vocals mixed together with heavy chords and harmonies.

Souls At Zero – A Taste For The Perverse – Review

May 1, 1995

Souls at Zero is notorious for well-crafted groove blasted heavy and crunchy. Brad Divens’ howl is a trademark from Wrathchild to Wrathchild America releases.