Fritz Kafka – Lollipop Magazine

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[ May 13, 2026 ] Corrosion of Conformity Announces 2026 Tour Dates – News News
[ May 12, 2026 ] Milwaukee Metal Festival 2026 Adds Nachtmystium and Emmure to Lineup – News News
[ May 8, 2026 ] Summer Slaughter 2026 Returns with Hatebreed, Devourment, Incantation, and more – News News
[ May 7, 2026 ] Buckcherry Announce Final Leg of the Roar Like Thunder 2026 Tour – News News
[ May 6, 2026 ] Kontusion Announces 2026 Tour Dates with Dispossessed – News News
[ May 5, 2026 ] The Acacia Strain Announce Summer 2026 Tour – News News
[ May 4, 2026 ] Diesel Boy 2026 Tour Dates for the 30th Anniversary of Cock Rock – News News
[ May 3, 2026 ] The Cle Elum – Guided by Guided by Voices – Music Stream Bands
[ May 1, 2026 ] Entheos Join Jinjer on 2026 Tour + Co-Headlining Dates with Crystal Lake – News News
[ April 30, 2026 ] Dwarves return with Jenkem and 2026 Tour Dates – News News

Stephanie Sayers – at T.T. the Bear’s – Review

July 1, 1995

Stephanie Sayers does her thing with a pedal steel guitar player, a cellist, and no bass. At first, this lack of low end tones struck my ear as a little weird.

Chris Whitley – at the Middle East Cafe – Review

July 1, 1995

he suffers from J. Mascis syndrome: His recording is fucking brilliant, but his live sound is so loud that you can’t tell what he’s playing.

Die Cheerleader – Son of Filth – Review

April 1, 1995

The huge and angry voice of singer Sam Ireland provides the melodic spearhead for what drives these tracks, namely bassist Debbie Quargnolo’s pounding low end.