Fritz Kafka – Lollipop Magazine

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[ September 14, 2026 ] Exhorder Kick Off Fall 2026 Headlining Tour with Intoxicated, No/Más, Phantom, and Parabellum – News News
[ September 11, 2026 ] Signs Of The Swarm Debuts “Dragula” Video and Embarks on 2026 Tour – News News
[ September 11, 2026 ] Corrosion of Conformity and The Sword Announce 2026 co-Headlining Tour – News News
[ September 10, 2026 ] King 810 Return with New Album and 2026 Tour with Guerilla Warfare – News News
[ September 9, 2026 ] Carnifex Announce New Album and 2026 North American Tour Dates – News News
[ September 8, 2026 ] Butcher Babies unveil “Blame it on the Wind” + 2026 Tour Dates – News News
[ September 5, 2026 ] Windwaker Announce New Album and 2026 US Tour Dates with Beartooth – News News
[ September 4, 2026 ] Psycroptic Announce 2026 Headlining Fall Tour with Inferi, Cognitive, and Summoning The Lich – News News
[ September 3, 2026 ] The Dread Crew Of Oddwood Announce Lawful Evil Ten-Year Anniversary 2026 Tour – News News
[ September 2, 2026 ] Dead Poet Society to release Monarch + Announce 2026 US Tour – News News

Stephanie Sayers – at T.T. the Bear’s – Review

July 1, 1995

Stephanie Sayers does her thing with a pedal steel guitar player, a cellist, and no bass. At first, this lack of low end tones struck my ear as a little weird.

Chris Whitley – at the Middle East Cafe – Review

July 1, 1995

he suffers from J. Mascis syndrome: His recording is fucking brilliant, but his live sound is so loud that you can’t tell what he’s playing.

Die Cheerleader – Son of Filth – Review

April 1, 1995

The huge and angry voice of singer Sam Ireland provides the melodic spearhead for what drives these tracks, namely bassist Debbie Quargnolo’s pounding low end.