V.3 – Photograph Burns – Review

June 1, 1996

Liberal splashes of china white on art metal walls bleeding south into the singed edges of amber waves over fuzzy fields hiding silos and secret laboratories.

The Rock*A*Teens – Review

May 1, 1996

Take yer basic psychosurf and rootsrock barnstomp, add some barely passable guitar playing, a little simplistic drumming, and a bunch of fairly awful singing.

O-matic – Dog Years – Review

May 1, 1996

With the longest song clocking in at just over three minutes, O-matic wastes no time in getting down to the business of getting down to business.

Sibera – Damage – Review

February 1, 1996

Spacy liquid pop with enough rough edges and hooks for your ear to get a toehold, textured and ambient but with enough complexity to keep your attention.

Shoveljerk – Swarm – Review

February 1, 1996

Shoveljerk has powerful melodies, well-developed song structures, a solid drummer and bass player, and interesting guitar interplay.

Xanax 25 – Denial Fest – Review

February 1, 1996

Heavy, moody pop with crashing guitars. Jaik Miller’s vocals on “Scary Dream Fade” are so overwhelmingly raw they raised the hair on the back of my neck.

Texas Is The Reason – Review

February 1, 1996

Nothing wrong with the playing or the production on these tracks. Most of it’s pretty good, but I’m still not coming up with much to say about it, good or bad.

Farside – Review

February 1, 1996

The more aggressive stuff works pretty well, but doesn’t make enough of an impact to support the anticlimax of the two folky meanderings that wrap up this disc.

Trapped Instinct – Alarm – Review

December 1, 1995

If you remixed the Chili Peppers’ first album and added scratching and funky samples and replaced Anthony with Mike Patton, you’d end up with Trapped Instinct.

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