Live Review – Page 35 – Lollipop Magazine

Siouxsie and the Banshees – with Spiritualized at the Orpheum – Review

May 1, 1995

She still plays her ice queen geisha girl role expertly, and her stage mannerisms were captivating, except when they spilled over the side of ludicrousness.

Our Lady Peace – with Lenny at the Middle East Cafe – Review

May 1, 1995

A very balanced band, the bassist jams just as well as the guitarist, the drummer keeps it just under a dull roar and the lead vocals are impassioned.

Notary Public – with Moodcrush at The Middle East Cafe – Review

May 1, 1995

Notary Public plays a lot louder and more animately than the Goth hype and CD would have you expect. This is a very live-oriented band.

Moodcrush – with Notary Public at The Middle East Cafe – Review

May 1, 1995

The singer’s got a wild range. Solos galore and powerchords strung together with charming hair tosses. Rich harmonies and loud, chunky guitars.

The Rake’s Progress – at The Loud Music Festival – Review

May 1, 1995

The five piece, roots-oriented band was a refreshing surprise that most people missed. The New York-based band delivered a solid R.E.M.-like set.

Pirate Jenny – at The Loud Music Festival – Review

May 1, 1995

The North Star was relatively quiet as the Northampton based Pirate Jenny entertained a crowd of twenty fans.

Madder Rose – at The Loud Music Festival – Review

May 1, 1995

Looking like a female version of the Black Crowes’ Chris Robinson, rail-thin Mary Lorson led her chargers on a 45 minute rock-edged romp.

St. Chimerae – with Little A at T.T. the Bear’s – Review

April 1, 1995

You could say they’re a Goth/funk band with a little bluegrass thrown in, but their track on the Soon compilation, “Midnight,” comes across like Vegas Goth.

Skid Row – at The Strand – Review

April 1, 1995

Bach’s signature singing never let him down. He is still the ultimate frontman. After two year layoff, his voice, antics, and stamina are still in great shape.

Rancid – with Waterbug, Daltonic at Avalon – Review

April 1, 1995

From the bass-grooving “Radio” to the ska anthem, “I Want a Riot,” Rancid seemed as tight as ever and even more pissed then the last time I saw them.