This album, or perhaps The Politics of Ecstasy, may one day be viewed as the band’s Reign in Blood, the punk rock album of a long catalogue of epic productions.
This Detroit act add fresh twists by moving faster than most, and by utilizing a traditional death vocal next to a thrashy scream that is nearly black metal.
A rousing out of retirement for fabled Fates Warning vocalist John Arch, who is in amazing form, even if his mature voice has taken on an almost affected twang.
A cross between American thrash, German thrash, and death metal, spiced with the canny stealings of the Swedish from said trinity of terror-filled metal styles.
A three-CD reissue, no doubt due to Metal Blade’s Brian Slagel’s deep appreciation for this record, and his experience of the tragedy of Dave Prichard’s death.
Englund routinely comes up with melodies that either tug at the heartstrings with thespian melodrama or cast a doom pall over music you thought you had pinned.
12 videos, of which only two could be called standard storyboarded productions, the rest live in the studio, live lip-synching, live collages, or truly live.