The band calls themselves garage rock, which is partly right. They also have a heavy power pop side, with an emphasis on heavy; think cult fave Superdrag.
It’s plenty ballsy, like classic Social D. Rocking, upbeat tempo, Mike Ness’s Les Paul and battered baritone belting out a middle finger of a rock anthem.
Guitar rock for the indie set. Full of ’70s pre-EVH ax work and a riff that grabs you. It wouldn’t be out of place on the Dazed and Confused soundtrack.
A folky, Crosby, Stills & Nash-like tune that deals with the metaphysics of death, and features a mix of acoustic and electric guitars. The harmonies are the stars here.
We hear from artists involved in the underground/college rock scene and the later alternative rock explosion it led to. Not everyone will talk, that’s how it is.
The song features Mould’s distinct plangent baritone and, of course, muscular guitars. There is melody here, but this sounds more like a well-produced sketch.