Lollipop Magazine

Supersuckers – Live in Anaheim – Review

March 7, 2005

Funny, self-aggrandizing, and neatly straddling arena-rock bombast and no-bullshit punk rock fury, Supersuckers are the third band on an AC/DC/Ramones bill.

Supersuckers – Motherfuckers Be Trippin’ – Interview

September 3, 2003

An interview with Eddie Spaghetti

The L.A. Shakedown! – Review

July 23, 2003

Some will be too “street punk” or “mod/garagey” for ya, but it’s just cool to hear bands on TKO and Hellcat back-to-back with Estrus/Bomp!/In the Red bands.

How We Rock – Review

January 3, 2003

This comp nails it. Unlike Now That’s What I Call Shitty Music: Volume Four Billion, How We Rock compiles 19 hotshots and whatnots both trendy and “classic.”

Electric Frankenstein – Supersuckers – Welcome to Splitsville – Review

May 31, 2002

Supersuckers and Electric Frankenstein are two of the better and longer-lived bands playing punk & garage-derived rock and roll, though their approaches differ.

Supersuckers – Electric Frankenstein – Welcome to Splitsville – Review

May 31, 2002

Supersuckers and Electric Frankenstein are two of the better and longer-lived bands playing punk & garage-derived rock and roll, though their approaches differ.

Supersuckers – Must’ve Been Live – Review

May 17, 2002

Must’ve Been Live, the first official live Supersuckers album, also marks the second recorded appearance of the band’s country alter ego.

Alpha Motherfuckers – A Tribute to Turbonegro – Review

February 22, 2002

Three years later, the Turbojugend is still growin’, and that’s a testament to somethin”, seein’ as most bands can’t get anyone to care they’re around NOW.

Free the West Memphis Three – Review

June 4, 2001

It’s the kind of stuff that makes your blood boil. The kind of stuff that makes you wonder how some people can remember to breath when they’re this stupid.

World Warped III Live – Review

September 1, 2000

They finally made the Warped comps a documentation of the live music instead of just a collection of the artists’ already pre-existing album tracks.