Everything is perfect: The chord progressions, the meaty beats, the singalong vocal phrasings, the flashy-when-needed guitar work, and the heavenly hooks.
The logical extension of Room on Fire, the band trying to outgrow their rag-tag image, pulling together their best “we are grown up, take us seriously” ideas.
Requiem is a dizzying display of melodic counterpoints and bittersweet hooks dressed up in beefy guitars. Filling the gap left by Jellyfish and Face To Face.
Sounding more like Look Up and Live-era Someday I mixed with The Chase Theory. Heavier, less melodramatic, and tasteful dynamics without losing the immediacy.
Delicate but not fragile hooks, airy but not ethereal production, ornate but not orchestral string accompaniment, all coming together around bulletproof tunes.
Expecting Fiona Apple-ish, mainstream “girl group slick pop,” I was elated to hear The Ditty Bops’ spin on ragtime/jazz swing/cabaret for the 21st century.