Take in the glory of Seattle’s Fastbacks, a band who have been playing some of the best pop-punk since before Green Day learned the chords to “Highway to Hell.”
The function of institutions is to provide a comfortable context for perfect strangers from different walks of life to work together for a common purpose.
The traditional fast and plunky riffs are meshed with scratchy, yet coherent vocals, creating a question mark as to whether this is a ’98 or an ’88 release.
“He refuses to rhyme his verse. It’s a big ‘fuck-you’ to the rest of these yokels. Jack Laroue’s famous,” she insisted. “He was a Rhodes scholar out of Yale.”
Insularia intertwines delicate female crooning with gloom-tipped tantalizing string arrangements, calling to mind 4AD and C’est La Mort’s ethereal heydays.