A Spanish garage band circa the late ’80s/early ’90s with a sound influenced by Spacemen 3-but-with-more-Det.-influences, psych-rock, or maybe like Mudhoney.
Not only does Kumo hit your more straight-forward drum’n’bass sounds, but he also throws in experimental work along with some dabbling of hip-hop sounds.
Swooping breathily into fainting phrases of lost love, Kate St. John evokes evenings steeped in cigarettes and absinthe, indulging in the French cabaret.
An hour of sweeping, dark music, from the creepy atmospheres of drummer Renske’s rich, Gothy vocals to the harder, deeper roar of Opeth’s Mikael Akerfeldt.
Just Joined begins the same – fast, hard, with throaty vocals (a little more human-sounding), galloping bass, riffing guitars, and a non-stop barrage of drums.
It’s hard to imagine that one with a voice so reminiscent of Elvis Costello could make music that so… isn’t. John Wesley Harding’s Awake is a folk album.
A little gentleness can be pleasant, but too much of it can be lethal. James Iha’s new solo release unfortunately falls on the side of severe feline damage.
Rather than 242-inspired dance beats and rhythmic noise, this is a collection of haunting electronic ballads, honing in on Maria Azevedo’s enchanting octaves.