Pele have given up their free-form jazz/math indie jams for a “rockier” sound. Still upbeat and youthful, but no longer patiently stacking layers of secrets.
Comparable to Thursday, or a harder Saves the Day, Spitalfield uses soft drums with fluctuating guitar strums that tease your ears, and then pound them.
If Jason Falkner was a 20-year-old kid obsessed with ’60s pop, but couldn’t resist playing into the whole emo aesthetics, he’d be Dolour (aka Shane Tutmarc).
Stuck in that netherzone amidst Carnal Forge, Dew-Scented, and Darkane, Corporation 187 do nothing wrong, but neither do they offer dynamic personalities.