A dreamy, heartbroken, introspective album full of twangy tenor and jangly guitars, frank, wide-mouthed stuff like Tom Waits, Dylan, and Billy Bragg melded.
Perfect vocal pitch, extra energetic piano arpeggios, brilliant ad lib, and an Elton John cover. The classics are here, including material from the ‘Five era.
Harnessing punk anger and funneling it through a power pop structure, Armstrong have discovered a formula sought after yet not reached by Sponge and Everclear.
Early on, Boston-based Anchor Set had me interested in their brand of metal/punk rock music, but by the mid-point of their album, the band lost me entirely.
Mixing nü metal breakdown stomp and Southern-fried dirt rock kick-ass, Scissorfight are for both knuckledragging groove-metalers and shaggy stoner/hard rockers.
Snarling production, fast-paced drumming, and a mix of flutter-picked black shred and “catchy” thrash riffs make Satanic Slaughter a feast of metal mayhem.
Seven songs in just over 18 minutes, there’s no time to jazz up with melodies or anything cute and fancy; they serve up dirty metal, grindcore, and noisecore.