Joe writes about how the culture, SST Records, and the people who fueled it hammered at being the real full-on thing, not a negatively-defined counter-culture.
Small-change artist, signed to major label in post-alternate rock feeding frenzy, suffers growing pains as she realizes just how major record labels work.
A lot of its 79 minutes discuss Last Exit to Brooklyn. His fourth novel, Requiem for a Dream, is almost as well-known, thanks to Darren Aronofsky’s 2000 film.
350 pages of LP by LP, song by song, riff by riff, word by word attention to the band that created heavy. All the players, singers, the midgets; all of it.
Much has been written and filmed about the ’80s and ’90s hair metal flash, most of which falls somewhere between tongue-in-cheek and downright mocking in tone.
Nina is exactly the novel you’d expect the singer of the Dwarves to write. The comic flair we’ve come to expect is not as dominant as I would’ve liked.
One of the stranger to books to’ve ever graced my coffee table. Who writes down their deepest, darkest secret, then mails it to someone to put in a book?
Something to keep in a high traffic area so you can pull it out at a party or when you’re drunk with friends for some gut laughs and quality boob ogling.
A league formed by the city parks and recreation office in L.A. and each team is populated in large part by casualties of the L.A. music and film industries.