Ozzy releases an album in 1996 that rivals his Bark at the Moon, and bites the head off his own Ultimate Sin, No More Tears, and No Rest for the Wicked.
Three re-worked demo tracks, a cover of Bauhaus’ “Silent Hedges/Double Dare,” and new scorcher “Optimist or Pessimist,” the heaviest song they’ve yet done.
With their second album, Irreligious, Moonspell once again embellish Gothic, eclectic metal with class. The eleven-song opus of grandeur isn’t easily grasped.
The musical experience of Control Data is dulled by its author’s heart-in-the-right-place attempt to take the weight of society’s future on his shoulders.
These are some beautiful sound pieces that sound like a cross between some extended feedback loop via Experimental Audio Research with angelic voice drones.