Boston-based Brian Sullivan’s brainchild features lush arrangements with star support from ex-Belly Tanya Donnelly and American Hi-Fi’s Scott Riebling.
It’s either some mop-top poserboy who turned 17 so he’s too old to be exploited by Drive-Thru, or it’s a glorious addition to the non-suck world of great pop.
This is what Big Black would’ve sounded like if they’d stayed together. Both are epic and demented, heart warming and horrifying, organic and electronic.
Delaware skillfully blend melancholy and pop music together. They steal Keane, Placebo, and Snow Patrol blueprints and create melodic Britpop-inspired sound.
This collection of jangly holler-pop feels at times like a sort of a Weight-Watchers version of Smashing Pumpkins: Intensity minus the some of the depth.
When Bowie met up with John Lennon in 1975, the most well-known result is the Gawdawful “Fame.” The lesser-known result is their love-child, Butch Walker.