Reviews – Page 1014 – Lollipop Magazine

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Abigor – Verwustung/Invoke The Dark Age – Review

April 1, 1996

While using some of the great elements of Black Metal, the thin production, weak transitions, and uninnovative musicianship make this little more than filler.

13 Mg – Trust & Obey – Review

April 1, 1996

There are plenty of clicks, clanks, and chugga-chuggas for all the fist-bang maniacs out there, but the true beauty of this release is in its subtle moments.

Turbo Tom – with Keith Bownice, Bentmen at Mama Kin – Review

March 1, 1996

Turbo Tom started his performance by snorting a condom and removing it from his mouth. He followed that by swallowing it and blowing it up and out of his nose.

Stuck Mojo – at the Rat – Review

March 1, 1996

They mix the rapcore thing together with beefy vocals and a pleasant death roar: Quite a tasty mix to these ears.

Mistle Thrush – at the Paradise – Review

March 1, 1996

Unlike most bands found on the Top 40 charts and MTV, Mistle Thrush is not afraid to cross stylistic boundaries.

Keith Bownice – with Bentmen, Turbo Tom at Mama Kin – Review

March 1, 1996

Pleasant for an opening band. They played some decent songs that reminded me of my older brother’s eight-track tape collection back in the ’70s.

Jack Logan and Liquor Cabinet – at Mama Kin – Review

March 1, 1996

While their latest CD left me intrigued, but not hooked, Jack Logan and Liquor Cabinet’s show led me up a trail of cigarette butt clues that ended centerstage.

The Dambuilders – at The Middle East Cafe – Review

March 1, 1996

Guitarist Eric Masunaga reminded me of Thurston Moore as he seemed to get lost in his own distortion, and would then quickly change over to a mammoth groove.

Bentmen – with Keith Bownice, Turbo Tom at Mama Kin – Review

March 1, 1996

The music becomes a programmatic underscore to their orgy of light, color, costumes, confetti, and charisma.

Ben Folds Five – at Pearl Street – Review

March 1, 1996

The trio sounded even better live than on record. The songs have a more aggressive energy, and the soaring three-part harmonies outshone those on the album.

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