Reviews – Page 484 – Lollipop Magazine

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Threebrain – Review

November 8, 2002

There’s funny stuff here that’ll have you laughing at the absolute randomness of it all, but other stuff that’s an absolute waste of time. Weeee!

Liars – They Threw Us All In A Trench And Stuck A Monument On Top – Review

November 8, 2002

If Gang Of Four and The Clash wrote songs with Sonic Youth, you might get something like They Threw Us All in a Trench and Stuck a Monument on Top.

Last Days Of April – Ascend to the Stars – Review

November 8, 2002

Single-handedly keeping the faith alive that Jimmy Eat World’s Clarity is not the only emo album in the world that can shake you from the foundations up.

NOFX – 45 or 46 Songs that Weren’t Good Enough to Go on Our Other Records – Review

November 8, 2002

The title sez it all. If you don’t know what NOFX sounds like, uh, where the fuck you been? That’s one of them whatchacall’ems, hypothermia questions…

Hermano – Only A Suggestion – Review

November 8, 2002

Another entry in the John Garcia subgenre, Hermano will come as no surprise to those who’ve heard Garcia’s other post-Kyuss projects, Slo Burn and Unida.

Fall Silent – Drunken Violence – Review

November 8, 2002

Brutally raw, crass, and irritating (but in a good way), Fall Silent hits us high ‘n’ low with a sonic assault that could take down a herd of buffalo.

Bracket – Live in a Dive – Review

October 28, 2002

Alt-country licks, jazzed-up three-part vocal harmonies, unconventional chord progressions, served on a platter of mid-tempo power pop.

The Code – Alert Aware Involved – Review

October 28, 2002

Venomous ska-punk infused with metal and a little low-cal SoCal. That’s harmony minus sugar. Fierce shit that lazy folk will compare to Op Ivy and Rancid.

Orange Goblin – Coup de Grace – Review

October 28, 2002

The band is still writing heavy, aggressive rock and roll songs, and they’re playing them with the drunken swagger they deserve.

Armchair Martian – Who Wants to Play Boss? – Review

October 28, 2002

Jon Snodgrass returns with the usual revolving door of musicians to deliver yet another painfully honest, soulful, bruised-heart of a country-punk album.

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